The Comeback
Pop star Jack Jones (best remembered for the theme from The Love Boat) plays a singer who is haunted by the death of his estranged wife, and led into a confrontation with the killer, in THE COMEBACK. A sleek and entertaining slasher film from director Pete Walker, it is a bloody illustration of the …
The Demoniacs (Unrated Extended Cut)
A Poe-like study of guilt and revenge, THE DEMONIACS (Les Demoniaques) concerns a band of "wreckers" who rape and murder two young sisters, the survivors (Lieva Lone, Patricia Hermenier) of a ship they have lured into coastal rocks and plundered.
Die Screaming, Marianne
Marianne (Susan George, STRAW DOGS), following the sudden death of her mother, stands to inherit the family fortune, along with several documents that could incriminate her corrupt judge of a father. Now, her sister and her father both want their hands on Marianne's inheritance and they'll stop at n…
Eden and After
From the darkly erotic imagination of Alain Robbe-Grillet (Trans-Europe-Express) comes EDEN AND AFTER, a dreamlike fable in which a group of decadent French students are drawn into the psychological and sexual games of a mysterious Dutchman.
Fascination
The masterpiece of renowned French filmmaker Jean Rollin, FASCINATION follows a swaggering thief who hides out in a lavish chateau, holding the occupants at gunpoint. When night falls, he discovers that these two maids are in fact the gatekeepers to a ring of bloodthirsty women.
The Flesh and Blood Show (Kino Cult #43)
Shuttered and cursed by an especially tragic production of Othello, a seaside theatre reopens its doors as a groovy musical revue, only to have several performers fall victim to the deadly curse.
Ganja & Hess
Flirting with the conventions of blaxploitation and horror, Bill Gunn’s revolutionary independent film Ganja & Hess is a highly stylized and utterly original treatise on sex, religion, and African American identity.
Hatchet for the Honeymoon
Seven years after innovating the grisly Italian genre known as giallo, Mario Bava returned to the form to create one of its deliriously frightening examples: HATCHET FOR THE HONEYMOON (Il rosso segno della follia).
Home Before Midnight
A successful rock lyricist becomes romantically involved with a girl he picks up hitchhiking only to learn that she is only fourteen. Her parents take action against him.
House of Mortal Sin
A deranged priest takes it upon himself to punish his parishioners for their moral transgressions
House of Whipcord
In HOUSE OF WHIPCORD, fashion model Ann-Marie (Penny Irving) is lured into a private reform school where she is punished for her sexually liberated behavior by a zealous warden (Barbara Markham). The warden and her doddering husband established this house of horrors to stifle the sexual revolution, …
The Iron Rose
Two lovers have a tryst in a vacant tomb, only to find themselves trapped within the graves and crypts of the massive cemetery. One of cult director Jean Rollin’s most unconventional films, THE IRON ROSE vividly depicts the young couple’s steady descent into madness.
Killer's Moon
An important film in the evolution of “video nasties” (especially violent films that brought about stricter censorship in the UK in the early 1980s), KILLER'S MOON sets a quartet of drug-addled psychopaths against a group of vacationing schoolgirls.
Legend of the Mountain
In King Hu's late masterpiece, a travelling scholar, intent on translating a Buddhist sutra, loses his way in the mountains. Time and space collapse around him as he continues his journey, encountering ghostly visitations amid a haunting fantasia of color, light and landscape.
Requiem for a Vampire
REQUIEM?FOR?A?VAMPIRE was Jean Rollin’s favorite of all his films. Because he dredged the scenario from his subconscious, and because it was rushed into its written form so quickly, he felt it was his purest work.
Slaughter Hotel
From Fernando DiLeo, Klaus Kinski stars as a doctor whose mostly female patients are being brutally dispatched by a psychopath.
Sudden Terror aka Eyewitness
Living on the island of Malta, Ziggy is an 11-year-old boy with an overactive imagination and a habit of telling wild lies. But when he sees the brutal assassination of a visiting African president by two rogue policemen, nobody will believe his story.
Virgin Witch
Capitalizing on the pop cultural fascination with the occult, while taking advantage of the era's relaxed censorship, VIRGIN WITCH was one of the more notorious British horror films of the early seventies.
The Werewolf of Washington (Director's Cut)
The Werewolf of Washington is a biting satire that savagely attacks beltway politics while paying playful homage to the wolfman pictures of the past.